West Coast pianist Clare Fischer has done what I wish Monk would do: he has written his own big band arrangements; the results are admirable. Fischer can make his ensembles whisper, sing, shout, praise, explain, cajole, proclaim. He is not afraid to be simple when simplicity will work; he can write for a mere quintet within the ensemble when he wants to. The solos by tenor saxophonist Warne Marsh, particularly, and baritone saxophonist Bill Perkins are the best I've heard from these men, but, the leader excepted, some of the other improvisers confine themselves to other people's ideas.〔